Concepcion Huerta is a multidisciplinary artist with a strong background in audiovisual media and a deep focus on the sound spectrum. Her work is developed in different practices such as: sound design, installations, spatialized concerts, speculative narratives and immersive experiences. His approach to sound begins by reflecting on the relationship between silence-noise, political space, and the sound agent as a means of enunciation. He also investigates resonance, acoustic space and the physical and psychological impact of sound in relation to the listener. His sound exploration is through recordings of everyday objects (foleys) and instruments such as synthesizers, which when played and manipulated with tape recorders and processed tapes, create atmospheres based on elements of ambient and noise. He creates sound narratives, which rather than being inserted into a specific musical genre, are closer to the construction of an imagined story. Incorporating the study of synthesis, electricity, voltage, formats and materiality as part of their approach to sound. Exploring it from the most elemental level and how it can be translated by creating technological bridges between analogue and digital processes. Member of the experimental ensemble Amor Muere with Gibrana Cervantes, Camille Mandoki and Mabe Fratti, with whom he has collaborated in several publications. Collaborating in sound with diverse artists such as: Fernado Vigueras, Rodrigo Ambriz, Martin Escalante, CNDSD, Resonancia, Reick Reed, Tommi Keränen, Camilo Angeles, Leslie Garcia, Daniela Huerta among others. „The sacredness of all dimensions of life“ is a project of speculative and immersive narratives with Anahy Cabrera a.k.a. ZETA who is a transmedia artist with an immersive approach. Developing different projects such as: „TRAVELERS“, „The Earth Has Memory“ and „GRIETAS“ (this last project is also conformed by the sound artists: Lucia Hinojosa and Vania Fortuna).
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